Time travel. What was, what is, what could be. Alternate futures, an unknown past, insider trading. Moment to moment, there’s real risk. Robots, DeLoreans, Humpback Whales, be careful where you leap. Jeopardizing your own existence may be your future. “Take me away…” “I don’t mind…” “You better promise me…” “I’ll be back in time…” How Many Times A Lady, LSD Tests, Non-Functional Legs, Droppy The Water Droplet, Robert Z’Dar. “My shirt sleeves are around here somewhere”, “Making a bad movie? That’s two weeks in solitary confinement”, “Hmm… That base. Somewhere Seinfeld must be starting.” “This is a weird PSA for the Catholic Church” or “The movie that delivers more huhs per second”?
Droppy The Water Droplet.
Forced Perspective. End Credits.
Another one of those meaningless titles with no connection to what happens on the screen. Not only is there no war (the violence presented barely qualifies as a skirmish), but it takes place in the present day. And really, a movie featuring cyborgs using velociraptors as tracking beasts should not be this tedious.
I suspect the bulk of the movie’s budget went into the dinosaur puppets, which are reasonably well made. Certainly, they’re better than what was featured in the Doctor Who serial “Invasion of the Dinosaurs” (I should probably note that I like “Invasion of the Dinosaurs”). But let’s not kid ourselves, the creature effects in it were bad even by classic Doctor Who standards. But at least “Invasion of the Dinosaurs” had a moderately intriguing story to tell. Not so much for Future War.
Much of what occurs happens because the script demands it rather than any logical progression of events. One of the more obnoxious instances is where our lead character is arrested by the police for no in-story reason. From a screenwriting perspective, it was so they could do a rip-off of the police station rampage from The Terminator. That’s never a good reason to feature a scene.
Aside from Mike’s demonstration of forced perspective during the end credits, I personally found the host segments to be rather bland.
“There’s no butter in my coffee”
“G’nite mom and dad”
“I hit you that hard, you go that way”
“AND YOU THREW IT ALL AWAY!!!” (best riff of all time)
One of my all time favorite mst eps ever!
“That was then.”
“This is then, too, it’s weird.”
I just remember Mike and Bots’ dialogue about how this movie was not in the ‘future’ and had really no ‘war’. Classic stuff!
My favorite riff in the episode is the “Arby’s employee chapel” one.
“Welcome to Pipe World. All we do is pipes, and we do them well.”
One of my favorite host segments ever is when they thank Pearl for not killing them when Pearl is, inexplicably, in the process of flat-out deciding to blow up the SoL. Pearl’s defensive reaction is great, Mike’s betrayal is great. Observer’s frustrated, “You told me we were going to kill them and now we’re not going to kill them” while he reroutes the missile is great. Bobo’s inability to keep the secret is great.
A bunch of cyborgs from the future (or future-space, I guess?) use dinosaurs to track down escaped Jean-Claude Van Dammes! That sounds like it should be cool, but it’s just so dull. I just cannot get into this one, and I think part of it is how forced the religious angle is. It feels a bit like having a polite conversation with someone about, say, a cool museum exhibit and having them suddenly swerve into recruitment mode. I’m just here for the dinosaurs, dude.
I like the host segments, but the main feature just doesn’t do it for me.
When I was at university, the definition we were given of “war” was 1,000 deaths or more. That would make the Falklands in 1982 merely a very violent international argument.