Hmmm… let’s see… to take @linszoid’s list and go with three soundtracks…
3 - Diabolik. It’s all about Ennio Morricone, baby. Groovy, unique, and easy to get lost in.
2 - The Amazing Colossal Man. Earn that paycheck, Albert Glasser. How appropriate is it that a movie about a giant man has a score that gives the proceedings an urgency that’s larger-than-life?
1 - Danger!! Death Ray. It’s goofy, ridiculous, ill-fitting, but… very, very enjoyable and listenable.
Don Ellis’ first soundtrack. He didn’t have a long life, but he packed a lot of work into it. Two of his other scores were for The French Connection and The Seven-Ups. Oh, and at least one RT target, 1977’s Ruby.
Me and my brother’s joint MST3K/RiffTrax LP soundtrack collection is currently at 2 and growing! This raises an interesting question: do any of you folks out there actually own soundtracks from movies riffed on the show? I know Manos was repressed recently, and I would love to see if there are any super-dedicated crate diggers out there who have found original pressings and the like.
Even when John Barry scored bad movies (Starcrash, anyone?), he NEVER phoned it in. And last week while watching the underrated The Last Valley, I was admiring his art yet again. His score for The Last Valley may not be one of his more famous works, but it SHOULD be. https://youtu.be/xEqAACkbaNQ?si=XZVm6qFDz4cw0G2T
For non-MST movies and licensed music (vs. a score), for me it’s Boogie Nights, hands down. Pulp Fiction set the bar, but Boogie Nights blew right past it and I’m still waiting for someone to do better.
The folks who did the Yor soundtrack also did a bunch of cheesy italo disco soundtracks for the legendary Italian action-comedy-western actor BUF SPENCER (one of my favorite people period)