@mrw1980 I thought it added to the mystery and incomprehension of those experiments. My sense.
Ah, so they were the ones who coined the phrase, âIf you canât dazzle 'em with brilliance, baffle 'em with bull .â
I love how Joel is constantly adjusting his costume through this, underscoring the homemade vibe of the proceedings.
In the Reels of Justice episode of The People vs. Grizzly (with defense provided by Frank Dietz AKA the babyface detective from Zombie Nightmare), at one point they feature Edward L. Montaro as a surprise witness. Though of course itâs in the style of the Rick Sloane interview conducted during the end credits of Hobgoblins.
ROJ-036: âThe People vs. Grizzlyâ with Frank Dietz (buzzsprout.com)
And you can hear the puppeteers shuffling around. Just makes it that much better.
Hereâs some nightmare fuel - Lenny Henryâs live action Wallace & Gromit sketch. Heâs going to be in the Amazon LOTR show!
More Films Ventures International. Space Travelers (1969) opening credits.
The FVI movies are among the first MST3K episodes Iâve ever seen, so some of them do hold a special place for me, particularly Pod People. The unrelated credit sequences kind of give them a strange, surreal quality.
So it was with me and Pod People and Space Travelers on the Mystery Science Theater Hour.
And then thereâs the Rhino VHS tape of Cave Dwellers.
FVI is so instrumental to a number of essential MST episodes. Below are links to discussions of every Film Ventures riffed episode during the classic run of the show.
Agreed! Itâs nonsensical and only adds to the Z-grade budget vibe. FVI gives me warm fuzzies similar to Golan/Globus. Granted, GG actually produced movies where FVI just repackaged other peoplesâ stuff, but they feel like brethren.
My life is definitely richer for FVIâs terrible movies.
The thing to understand is that FVI didnât make films.
They bought the rights to show âclipsâ of movies, and then exploited a loophole in that there was no definition of how long those âclipsâ could be. So they could chop off the title and credits sequences, call the entire body of the movie one long âclip,â and then sandwich it between new sequences made from âclipsâ of other movies theyâd bought under the same terms, and then release the whole thing as a new movie of compiled clips from different movies.
They were able to scoop up the âclipâ rights for entire batches of movies on the cheap and then were happy to sell the screening rights to anyone who wanted them because 100% of their business was selling media secondhand. It was shady, but it worked. And it worked in our favor because they were happy to sell the license to MST3K. They didnât care that the movies were going to be mocked because they didnât make the movies.
They 100% plagiarized that phrase. Very on-brand.
Yeah, they had a serious scam going.
I knew the title credits film from Stranded in Space because I recognized Kay Lenz, but Pod and Cave were at first a mystery (until they werenât)
Thanks for sharing Taur, sparroni, thatâs one Iâve not watched unriffed, yet.
If I may clear the air, the FVI that churned out those repackaged âfilmsâ was not the same as Montoroâs studio. It was initially a legitimate film company, albeit one that dished out knock-offs of the big blockbusters of the era (1970s through the early 1980s). After the debacle of âGreat Whiteâ though, FVI went on a downward spiral financially and Montoro magically vanished but not before taking $1 million of companyâs money with him. In 1985, they filled for Chapter 11 bankruptcy and were soon acquired by a TV syndicator named Independent Network Inc., or INI for short. FVI didnât start their odyssey of releasing glorified âclipâ movies until 1989 and by that point, their name was clearly being exploited by their new owners.
This article goes into more detail about FVIâs downfall: